Kelly Sinnapah Mary: Riddles of survival | Portfolio By Shereen Ali | Issue 159 (September/October 2019), Caribbean Resilience (1 May 2020) Working across mediums, Guadeloupean artist Kelly Sinnapah Mary creates images with a fairytale quality, mingling cruelty and enchantment, as she explores postcolonial dilemmas and the resistance of self-invention, writes Shereen Ann Ali
The rightest place | Portfolio By Andre Bagoo | Issue 162 (March/April 2020) “Art has to transform,” says Blue Curry. The London-based Bahamian artist puts unlikely objects into new contexts, writes Andre Bagoo — and sometimes out of place is where things belong
The Ghetto Biennale: when art is defiance | Backstory By Nixon Nelson | Issue 160 (November/December 2019) Ten years ago, a group of artists in Haiti launched an audacious, even provocative, project: the Ghetto Biennale, drawing international attention to the creative community in Port-au-Prince’s Grand Rue. The event’s tensions and discomforts are at the heart of its mission, writes Nixon Nelson, as the Ghetto Biennale prepares to stage its sixth edition
Jean-Ulrick Désert: look and look again | Closeup By Andre Bagoo | Issue 157 (May/June 2019) Born in Haiti, currently based in Berlin, Jean-Ulrick Désert may be a citizen of the world — but his ideas are shaped by his Caribbean roots. A kind of discomfort that makes you look closer is key to this artist’s work, writes Andre Bagoo
Good prospect | Personal tour By Caribbean Beat | Issue 156 (March/April 2019) From architectural landmarks to a growing foodie scene, the Brooklyn neighbourhood of Prospect Heights — home to Trinidad-born architect Roxanne Ryce-Paul — may be rapidly gentrifying, but it still holds on to elements of its history
Adam Patterson: barbed beauty | Closeup By Shereen Ali | Issue 155 (January/February 2019) For Barbadian artist Adam Patterson, masquerade and performance are mediums for challenging Caribbean stereotypes, writes Shereen Ann Ali
Turn of the tide | Panorama By Caribbean Beat | Issue 152 (July/August 2018) A new exhibition of contemporary artists explores the “submarine” links among the islands of the Caribbean archipelago. A portfolio of artworks from Relational Undercurrents, now on view in New York City
Tessa Mars: full free | Closeup By Shereen Ali | Issue 151 (May/June 2018) Haitian artist Tessa Mars is influenced by her country’s revolutionary history as much as her own family’s intellectual tradition, and her lifelong fascination with riddles. Her colourful paintings often feature a semi-autobiographical character named Tessalines — and deal in complex ideas about identity and freedom. Shereen Ali finds out more
