Life Between Islands | Art buzz

A Tate Britain exhibition — that aims to feature the new identities, communities and cultural varieties shaped by the Caribbean diaspora in Britain — moves to the Art Gallery of Toronto through 1 April

  • Hurvin Anderson’s Hawksbill Bay (2020). Acrylic paint and oil paint on canvas, 149.9 x 205cm. Lent by Tate Americas Foundation, courtesy Mala Gaonkar (2023). © Hurvin Anderson, photo by Richard Ivey
  • Vanley Burke’s Mrs Walker and her customers at her hairdresser shop, Rookery Road (1979, printed 2023). Gelatin silver print, 63.5 x 78.7cm. © Vanley Burke, courtesy the artist
  • Alberta Whittle’s We Remain with You (2022). Raffia, acrylic, cotton, synthetic braiding hair, doilies, wool, felt and cowrie shells on linen, 172.7 x 165.1 x 20.3cm. Courtesy Alberta Whittle & Nicola Vassell Gallery. © Alberta Whittle, photo by Adam R
  • Michael McMillan’s The Front Room: Inna Toronto/6ix (2023). Mixed media site-specific installation. © Michael McMillan, photo by Sean Weaver © AGO

On view

Running through 1 April, the Life Between Islands exhibition aims to feature the new identities, communities and cultural varieties shaped by the Caribbean diaspora in Britain.

According to writer George Lamming, “we became West Indian in London”, and the artwork demonstrates how people from the diaspora “have created a distinctly Caribbean-British culture while influencing British society as a whole”.

Journeying across the ocean from its initial exhibit at Tate Britain to the Art Gallery of Ontario in Canada, Life Between Islands showcases over 40 artists from the Caribbean or of Caribbean heritage — including Frank Bowling, Vanley Burke, Hurvin Anderson, Aubrey Williams, Donald Locke, Horace Ové, Sonia Boyce, Claudette Johnson, and Alberta Whittle — via paintings, documentary photography, films, and sculptures.

Its curators David A Bailey and Alex Farquharson have organised the exhibition in chronological order from 1923 to 2022, and covering “the role of culture in decolonisation, the meaning of home, the reclaiming of ancestral traditions, the nature of Caribbean and diasporic identity, as well as racial discrimination and socio-political conflict”.

Funding provided by the 11th EDF Regional Private Sector Development Programme Direct Support Grants Programme.
The views expressed on this website are those of the the authors and do not reflect those of the Direct Support Grants Programme.

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