Exploring Asian-Caribbean heritage | On view

The Ford Foundation Gallery turns the spotlight on artists of Asian-Caribbean heritage

  • Installation view. Photo by Sebastian Bach, courtesy Ford Foundation Gallery
  • Baby Krishna, 2020. Papier-mâché, oil paint. Photo by Sebastian Bach, courtesy Ford Foundation Gallery

New York’s Ford Foundation Gallery is re-opening its doors for the first time in over two years with a ground-breaking exhibition that turns the spotlight on four female artists of Asian-Caribbean heritage. Curated by Trinidadian scholar and artist Andil Gosine, everything slackens in a wreck features Chinese-Jamaican Margaret Chen; Indo-Trinidadian Wendy Nanan; Indo-Guadeloupean Kelly Sinnapah Mary; and Andrea Chung (born in the United States to Jamaican and Trinidadian parents). All of them share a lineage of indentureship, and have each created “hybrid creatures that are part plant and part human” from paint, papier-mâché and foraged items like wood and shells. It’s a process that explores — and grieves — the destructive impacts of colonialism, while celebrating the ways in which migrants harness the creativity of the natural world to reimagine, reinvent, rebuild, survive…and thrive. 

Everything slackens in a wreck runs through 20 August.

Funding provided by the 11th EDF Regional Private Sector Development Programme Direct Support Grants Programme.
The views expressed on this website are those of the the authors and do not reflect those of the Direct Support Grants Programme.

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