Arts

Embark, Music, Reviews

Playlist (Jul/Aug 2020) | Music reviews

This month’s listening picks, with reviews of the latest by Freetown Collective; Jany McPherson; Jah9; and Rexy*

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Embark, Film and Television, People, Cuba

Q&A with Heidi Hassan and Patricia Pérez | Screenshots

Cuban filmmakers Heidi Hassan and Patricia Pérez discuss their collaborative film charting a lifelong friendship

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Immerse, Fashion and Jewellery, People, Trinidad and Tobago

Maskerade | Make style

It’s one of the most visible aspects of the COVID-19 era: the new ubiquity of masks, worn to slow the spread of the virus. It began months ago with practical but unflattering surgical masks, but around the world, and here in the Caribbean, designers like Trinidadian James Hackett soon got to work on more spirited versions. Shelly-Ann Inniss learns more

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Immerse, Literature, People, Trinidad and Tobago

Ingrid Persaud: “I didn’t write the book I thought I was going to write” | Q&A

Trinidad-born Ingrid Persaud, author of the novel Love After Love, talks to Caribbean Beat about her “scenic route” to a writing career and her relations with the unreliable muse

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Immerse, Literature

Gatekeeper | Showcase

A poem by Donna Aza Weir-Soley, from the new bilingual anthology The Sea Needs No Ornament

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Literature, People, Barbados

Kamau Brathwaite (1930–2020) | Icon

On his ninetieth birthday, 11 May, 2020, Kelly Baker Josephs explains the groundbreaking influence of the late Barbadian poet and scholar, perennially ahead of his time. An online exclusive

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Embark, Literature

Roger Robinson: A Portable Paradise | The Read

Delving with equal insight into pleasure and sorrow, Robinson argues that “earthly joy is, or ought to be, just within, but is often just beyond our reach.”

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Embark, Literature, Reviews

Bookshelf (Mar/Apr 2020) | Book reviews

This month’s reading picks, with reviews of Everything Inside; Sun of Consciousness; Nomad; A–Z of Caribbean Art; and Homecoming: Voices of the Windrush Generation

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The views expressed on this website are those of the the authors and do not reflect those of the Direct Support Grants Programme.

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