Q&A with Lisa Harewood | Screenshots (September/October 2019) By Jonathan Ali | Issue 159 (September/October 2019) Barbadian filmmaker Lisa Harewood talks about her new virtual reality project exploring families separated by migration
Q&A with Arturo Infante | Screenshots (July/August 2019) By Jonathan Ali | Issue 158 (July/August 2019) Cuban filmmaker Arturo Infante talks about his new sci-fi feature, The Extraordinary Journey of Celeste García
Far and near — Milton Kam | Panorama By Shelly-Ann Inniss | Issue 158 (July/August 2019) Suriname’s indigenous communities walk a line between the traditional and the contemporary, distance and proximity — documented in a new book of photographs by Milton Kam
Q&A with Maya Cozier | Screenshots (May/June 2019) By Jonathan Ali | Issue 157 (May/June 2019) Trinidadian filmmaker Maya Cozier talks about her new short, She Paradise
Letitia Wright | Backstory By Caroline Taylor | Issue 157 (May/June 2019) Growing up in Guyana, Letitia Wright never imagined a Hollywood career. But after a string of stage and TV roles and early recognition of her talent, her casting in the blockbuster movie Black Panther was the break every actor hopes for, says Caroline Taylor
Q&A with Shabier Kirchner | Screenshots (Mar/Apr 2019) By Jonathan Ali | Issue 156 (March/April 2019) Antiguan filmmaker Shabier Kirchner talks about his new short, Dadli
Unfinished Sentences: the inheritance of loss | Snapshot By Georgia Popplewell | Issue 156 (March/April 2019) Trinidadian filmmaker Mariel Brown set out to make a straightforward documentary about her writer father. But as Unfinished Sentences evolved, it turned into a nuanced exploration of grief, family, and artistic ambition, writes Georgia Popplewell
Q&A with Ian Harnarine | Screenshots (Jan/Feb 2019) By Jonathan Ali | Issue 155 (January/February 2019) Filmmaker Ian Harnarine talks about his new short, Caroni
Q&A with Natalia Cabral and Oriol Estrada | Screenshots (Nov/Dec 2018) By Jonathan Ali | Issue 154 (November/December 2018) A Q&A with Natalia Cabral and Oriol Estrada, directors of Miriam Lies
The inimitable Grace Jones | Backstory By Nazma Muller | Issue 154 (November/December 2018) She’s an instantly recognisable icon of music and fashion, with a forty-year career in the limelight. And the inimitable Grace Jones is Jamaican to the core, says Nazma Muller
Screenshots (Sept/Oct 2018) | Q&A By Jonathan Ali | Issue 153 (September/October 2018) A Q&A with Khalik Allah, director of Black Mother
Screenshots (July/August 2018) | Q&A By Jonathan Ali | Issue 152 (July/August 2018) A Q&A with Matthew Smith, director of a new Walter Rodney documentary
Screenshots (Mar/Apr 2018) | Film reviews By Jonathan Ali | Issue 150 (March/April 2018) This month’s Caribbean film-watching picks, with reviews of Cocote; Sergio & Sergei; and The Silence of the Wind
Gimme tempo By Tracy Assing | Issue 76 (November/December 2005) Find out why TEMPO is truly Caribbean
The Enigma of Filmmaking By David Tindall | Issue 52 (November/December 2001) David Tindall followed the making of The Mystic Masseur from the beginning
Saga of A Rude Boy By James Ferguson | Issue 45 (September/October 2000) Remember the movie The Harder They Come? It was turned into a book, and became a classic of the Jamaican experience, as James Ferguson explains
Winston Duke: “I’m unfinished” | Own words By Caroline Taylor | Issue 149 (January/February 2018) Tobago-born actor Winston Duke, appearing in the eagerly awaited Black Panther movie, on his love of stories and magical realism, how his village childhood shaped his ethos, and his love of soca music — as told to Caroline Taylor
Screenshots (Jan/Feb 2018) | Film reviews By Jonathan Ali | Issue 149 (January/February 2018) This month’s film-watching picks
Screenshots (November/December 2017) | Film Reviews By Jonathan Ali | Issue 148 (November/December 2017) This month’s film-watching picks
Jason Jeffers: stories like ours | Snapshot By Nailah Folami Imoja | Issue 147 (September/October 2017) His passion for film started when he was growing up in Barbados. It led Jason Jeffers to make the award-winning short documentary Papa Machete, and to found the Third Horizon Caribbean Film Festival in Miami. What these initiatives have in common, he tells Nailah Folami Imoja, is a dedication to telling Caribbean stories and changing the way the world imagines our islands
Screenshots (September/October 2017) | Film Reviews By Jonathan Ali | Issue 147 (September/October 2017) This month’s film-watching picks
Screenshots (July/August 2017) | Film Reviews By Jonathan Ali | Issue 146 (July/August 2017) This month’s film-watching picks
