Far and near — Milton Kam | Panorama By Shelly-Ann Inniss | Issue 158 (July/August 2019) Suriname’s indigenous communities walk a line between the traditional and the contemporary, distance and proximity — documented in a new book of photographs by Milton Kam
Koffee: Strong and sweet | Backstory By Nazma Muller | Issue 158 (July/August 2019) Dancehall’s latest sensation, nineteen-year-old Koffee, is captivating fans across the globe with her vibesy toasting, catchy riddims, and cheeky lyrics. Nazma Muller reports on the pint-sized Jamaican phenomenon with the relentlessly positive attitude
Naomi Osaka: “It was never my goal to blend in” | Snapshot By Caroline Taylor | Issue 158 (July/August 2019) For anyone who likes easy answers to questions of identity, Naomi Osaka is a conundrum: half-Haitian, half-Japanese, raised for part of her childhood in New York City, visibly hybrid. As Caroline Taylor learns, Osaka hasn’t always been comfortable with the role of mixed-race role model — but she’s learning to embrace it, on her own terms
Jean-Ulrick Désert: look and look again | Closeup By Andre Bagoo | Issue 157 (May/June 2019) Born in Haiti, currently based in Berlin, Jean-Ulrick Désert may be a citizen of the world — but his ideas are shaped by his Caribbean roots. A kind of discomfort that makes you look closer is key to this artist’s work, writes Andre Bagoo
Letitia Wright | Backstory By Caroline Taylor | Issue 157 (May/June 2019) Growing up in Guyana, Letitia Wright never imagined a Hollywood career. But after a string of stage and TV roles and early recognition of her talent, her casting in the blockbuster movie Black Panther was the break every actor hopes for, says Caroline Taylor
Sir Hilary Beckles: “I’m aware of how fragile the Caribbean is” | Own words By Shelly-Ann Inniss | Issue 157 (May/June 2019) Sir Hilary Beckles, Barbadian historian, cricket enthusiast, and UWI vice chancellor, on his intellectual formation, the role of a Caribbean university, and the moral imperative of slavery reparations — as told to Shelly-Ann Inniss
Destra Garcia: queen of queens | Closeup By Nigel Campbell | Issue 156 (March/April 2019) T&T’s self-proclaimed Queen of Bacchanal is a Carnival mainstay. But, two decades into her career, Destra Garcia remains underestimated by local fans and critics, argues Nigel A. Campbell
Stories of steel | Panorama By Mark Lyndersay and Sharmain Baboolal | Issue 156 (March/April 2019) Carnival is the season of steelpan. But behind the Panorama stage, the future of T&T’s national musical instrument will be shaped by administrators, craftspeople, arrangers, and educators — like these men and women profiled by writer Sharmain Baboolal and photographer Mark Lyndersay
Alicia Alonso: forever prima | Backstory By Nazma Muller | Issue 156 (March/April 2019) How did Havana come to be one of the world’s leading centres of classical ballet? Nazma Muller tells the story of prima donna assoluta Alicia Alonso, and her influence on generations of Cuban dancers
Unfinished Sentences: the inheritance of loss | Snapshot By Georgia Popplewell | Issue 156 (March/April 2019) Trinidadian filmmaker Mariel Brown set out to make a straightforward documentary about her writer father. But as Unfinished Sentences evolved, it turned into a nuanced exploration of grief, family, and artistic ambition, writes Georgia Popplewell
Beauty and the Beast | Panorama By Caribbean Beat | Issue 155 (January/February 2019) T&T Carnival may be the world’s greatest street party, but among the glamourous bikini bands and shimmering sequins, some traditional masquerades offer a defiant take on the darker side of our history
Dennery Style | Backstory By Laura Dowrich-Phillips | Issue 155 (January/February 2019) If you have ears to listen at Carnival time, you’ve heard Dennery Segment, even if you don’t know the name. Laura Dowrich explores the roots of the soca genre originating in a small village in St Lucia
The Mighty Shadow | Icon By Attillah Springer | Issue 155 (January/February 2019) Attillah Springer writes a letter to T&T’s late calypsonian-philosopher
Adam Patterson: barbed beauty | Closeup By Shereen Ali | Issue 155 (January/February 2019) For Barbadian artist Adam Patterson, masquerade and performance are mediums for challenging Caribbean stereotypes, writes Shereen Ann Ali
Claire Adam: “I’ve always felt, ask me where I’m from!” | Own words By Nicholas Laughlin | Issue 155 (January/February 2019) Claire Adam, Trinidad-born novelist, on learning to observe, the usefulness of honest criticism, and the notion of “home” — as told to Nicholas Laughlin
The inimitable Grace Jones | Backstory By Nazma Muller | Issue 154 (November/December 2018) She’s an instantly recognisable icon of music and fashion, with a forty-year career in the limelight. And the inimitable Grace Jones is Jamaican to the core, says Nazma Muller
Kevin Jared Hosein: a writer with a plan | Closeup By Shivanee Ramlochan | Issue 154 (November/December 2018) His recent win of the Commonwealth Short Story Prize affirms that Kevin Jared Hosein is a rising literary star. But his success didn’t come from nowhere, Shivanee Ramlochan discovers — rather, it’s the achievent of a patient devotion to writing, despite the odds
Jeanine De Bique: “It doesn’t matter where you come from” | Own words By Caroline Taylor | Issue 154 (November/December 2018) Jeanine De Bique, Trinidad-born classical singer, on the influence of her upbringing, and why Trinis “could do anything” — as told to Caroline Taylor
Remembering Windrush By Caribbean Beat | Issue 153 (September/October 2018) When the Empire Windrush docked at Tilbury in 1948, its West Indian passengers didn’t know their arrival would become a historical watershed. A new exhibition at the British Library explains how the Windrush generation changed Britain for good
Michele Henderson: “I woke up with an entire song in my head” By Paul Crask | Issue 153 (September/October 2018) Singer-songwriter Michele Henderson, performing at October’s World Creole Music Festival, on her musical childhood and her transition to the international stage — as told to Paul Crask, at her home in Grand Bay, Dominica
Turn of the tide | Panorama By Caribbean Beat | Issue 152 (July/August 2018) A new exhibition of contemporary artists explores the “submarine” links among the islands of the Caribbean archipelago. A portfolio of artworks from Relational Undercurrents, now on view in New York City
Nailah Blackman: welcome to the evolution | Snapshot By Laura Dowrich-Phillips | Issue 152 (July/August 2018) With music in her bloodline, T&T’s Nailah Blackman was almost destined for a career behind the microphone. She was the breakthrough performer of Carnival 2017, still a teenager — but, as she tells Laura Dowrich-Phillips, her ambitions go beyond soca, to another stage of musical evolution
