Author: Nigel Campbell

Music, Reviews

Music buzz | Reviews (Mar/Apr 2023)

This month’s listening picks from the Caribbean — featuring new music by Keshav; Dibo D & Randal Corsen; Nailah Blackman; and Popcaan ft Toni-Ann Singh

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Music, Festivals and Events

A return to island jazz | Backstory

After being hit by pandemic restrictions, beloved jazz festivals across the Caribbean are returning, Nigel A Campbell reports, with a roster of exciting established and emerging jazz artists to keep your eyes on

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Literature, Reviews

Music buzz | Reviews (Jan/Feb 2023)

This month’s listening picks from the Caribbean — featuring new music by Leon Foster Thomas; Monique La Chapelle; Fay-Ann Lyons; and Kevon Carter

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Music, History, People, Trinidad and Tobago

Soca gold — soca music turns 50 | Backstory

It’s been 50 years since soca music emerged in Trinidad & Tobago. Nigel A Campbell looks back at the birth and evolution of the music that’s become the soundtrack to Caribbean carnivals around the world — and continues to seek a commercial life beyond it

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Music, Reviews

Music buzz | Reviews (Nov/Dec 2022)

This month’s listening picks from the Caribbean — featuring new music by Jimmy Cliff; Leyla McCalla; Hezron; and Lee Foss & Annalie Prime

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Music, Reviews

Music buzz | Reviews (Sep/Oct 2022)

This month’s listening picks from the Caribbean — featuring new music by Joy Lapps; Braveboy; Wesli (ft AfrotroniX); and Keba

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Embark, Music, Reviews

Music buzz | Reviews (Jul/Aug 2022)

This month’s listening picks from the Caribbean — featuring new music by Kobo Town; Horace Andy; Shaggy; Josean Jacobo; Dean Fraser & Ernie Ranglin; and Daniel Bellegarde

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Homepage Slider, Immerse, Music, Trinidad and Tobago

In the Groove: Phase II at 50 | Backstory

Trinidad & Tobago’s Phase II Pan Groove, founded by Len “Boogsie” Sharpe, celebrates its 50th anniversary in August. Nigel A Campbell looks back at the pioneering journey

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Funding provided by the 11th EDF Regional Private Sector Development Programme Direct Support Grants Programme.
The views expressed on this website are those of the the authors and do not reflect those of the Direct Support Grants Programme.

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