Caribbean Beat Magazine

All that jazz | Closeup

Musically, Trinidad and Tobago are best known for calypso and soca, but a thriving jazz scene proves there’s an avid audience for other genres. Nigel A. Campbell profiles Charmaine Forde, Vaughnette Bigford, and LeAndra — three jazz vocalists of different generations whose separate stories make a bigger narrative about paths to musical success

Vaugnette Bigford. Photo by Maria Nunes, courtesy Vaugnette Bigford

Carnival backstage | Closeup

Carnival is a time to shine: from performers on the soca and calypso stage to costumed masqueraders in the street and fete-goers showing off their most acrobatic dance moves. But “the greatest show on earth” wouldn’t be possible without the dedication of the many thousands who work behind the scenes — year-round or seasonally — on the organisation and logistics of the festival. Laura Dowrich-Phillips and Georgia Popplewell meet four of the people whose backstage efforts make Carnival happen

Photo by Kibwe Brathwaite

Kambule: on morning ground | Snapshot

Early each Carnival Friday morning, before dawn breaks, crowds assemble at Piccadilly Greens in east Port of Spain for a re-enactment of a key event in the history of Trinidad — and of Carnival itself. Attillah Springer gives an intimate account of Kambule, when the spirits of the ancestors are invoked in a ritual of memory, story, song, and resistance

Kambule performers re-enact the beginning of the 1881 Canboulay Riots. Photo by Maria Nunes