Arts

Music, Reviews

Music buzz | Reviews (Mar/Apr 2024)

This month’s listening picks from the Caribbean — featuring reviews by Nigel Campbell of new music by Reginald Cyntje; DaWchY; Micwise; and Stephen Marley

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Literature, Reviews

Book buzz | Reviews (Mar/Apr 2024)

This month’s reading picks from the Caribbean, with reviews by Shivanee Ramlochan of We Are the Crisis by Cadwell Turnbull; Self-Portrait as Othello by Jason Allen-Paisant; Elektrik: Caribbean Writing; and Uprooting by Marchelle Farrell

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Film and Television, History, People, Trinidad and Tobago

Michael Cherrie: when destiny beckons | Snapshot

This March, Netflix premieres a film on the trailblazing Shirley Chisholm (who was of Barbadian and Guyanese heritage). Playing Chisholm’s Jamaican husband is Trinidad & Tobago’s own Michael Cherrie. Caroline Taylor reports

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Arts and Architecture, United Kingdom, Caribbean Diaspora

Life Between Islands | Art buzz

A Tate Britain exhibition — that aims to feature the new identities, communities and cultural varieties shaped by the Caribbean diaspora in Britain — moves to the Art Gallery of Toronto through 1 April

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Music, Reviews

Music buzz | Reviews (Jan/Feb 2024)

This month’s listening picks from the Caribbean — featuring reviews by Nigel Campbell of new music by Chris St Hilaire; Asa Bantan & Kalash; Ava Hutchinson; and Sheriff & Erphaan Alves

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Literature, Reviews

Book buzz | Reviews (Jan/Feb 2024)

This month’s reading picks from the Caribbean, with reviews by Shivanee Ramlochan of Growing up Woodbrook by Dylan Kerrigan; Loverbar by Lizbette Ocasio-Russe; The Blue, Beautiful World by Karen Lord; and All Made of Longing by Ruth Osman Rose

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Homepage Slider, Film and Television, Music, People, United Kingdom, Trinidad and Tobago

Kingsley Ben-Adir: relishing the challenge | Snapshot

Fresh off roles in Barbie and Marvel’s Secret Invasion, Trinidadian-British actor Kingsley Ben-Adir takes on the title role in the Bob Marley: One Love biopic. Caroline Taylor reports

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The views expressed on this website are those of the the authors and do not reflect those of the Direct Support Grants Programme.

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